Google Scholar Author Page: https://scholar.google.com.au/citations?user=AkRI08UAAAAJ&hl=en&oi=ao
Krause, A. E., North, A. C., & Heritage, B. (2018). Musician interaction via social networking sites: Celebrity attitudes, attachment, and their correlates. Music & Science, 1: 1-11. doi:10.1177/2059204318762923 [Available at http://journals.sagepub.com/doi/10.1177/2059204318762923] [Minerva repository link]
Krause, A. E., Dieckmann, S., Kiernan, F., & Davidson, J. D. (2018, June). Examining music as a performative object: Intertwining methodological approaches from history of emotions and music research. The Future of Emotions: Conversations Without Borders (The ARC Centre of Excellence for the History of Emotions' Third International Conference). Perth, WA, Australia. [conference website] [abstract pdf]
Krause, A. E., & Davidson, J. D. (2018, March). Exploring modern-day audience response to historical artworks through multi-pronged methods. Symposium on Current Audience Research Across the Artforms. Melbourne, VIC, Australia.
Krause, A. E., Davidson, J. D., & North, A. C. (2017, December). Continuation and cessation of music participation. Paper presented at the 3rd Conference of the Australian Music & Psychology Society (incorporating the 5th International Conference on Music and Emotion). Brisbane, QLD, Australia. [abstract pdf | book of abstracts online]
Brown, S. C., & Krause, A. E. (2016). A psychological approach to understanding the varied functions that different music formats serve. Poster presented at the 14th International Conference on Music Perception and Cognition (ICMPC), July 5, 2016. San Francisco, CA, USA. [conference proceedings | poster pdf]